

daria loi
about
about
Senior technical leader, with a 20+ years industry and academic experience and the goal and passion to mix design strategy with agile user experience (UX) research and innovation to enrich people’s everyday life and humanize technology.
My current focus is Artificial Intelligence (AI), with an emphasis on smart spaces, sensor technology and aging in place. Prior to Intel, I worked as architect in Italy and Senior Research Fellow at RMIT University in Australia.
I am committee member and reviewer for several international journals, institutes and conferences and conducted research and presented in 6 continents. In 2018 I was recognized as one of Italy's 50 most inspiring women in tech (InspiringFifty initiative).
Senior technical leader, with a 20+ years industry and academic experience and the goal and passion to mix design strategy with agile user experience (UX) research and innovation to enrich people’s everyday life and humanize technology.
My current focus is Artificial Intelligence (AI), with an emphasis on smart spaces, sensor technology and aging in place. Prior to Intel, I worked as architect in Italy and Senior Research Fellow at RMIT University in Australia.
I am committee member and reviewer for several international journals, institutes and conferences and conducted research and presented in 6 continents. In 2018 I was recognized as one of Italy's 50 most inspiring women in tech (InspiringFifty initiative).
migrants.
Isn't content also context? I ask him. Your experiences, your circumstances, the time you live in? Consciousness isn't free-floating; it's enmeshed.
That is true, he says, but you know, I believe that the modern diaspora--that so many of us find ourselves somewhere else, migrants of some kind--global, multicultural, less rooted, less dependent on our immediate history of family or country to shape ourselves--all of that is preparing us for a looser and freer understanding of ourselves as content whose context can change.
Nationalism is on the rise, I say.
He nods. That's a throwback. A fear. A refusal of the future. But the future cannot be refused.
Jeanette Winterson

You should reconsider
Acrylic, mica, human hair, dice, wooden print blocks, vintage photo, glass paint. 12" x 8.5" x 2"
[Private Collection]

Just.Do.Not.
Vintage doll, gold acrylic, cotton, brass, bones, 1950s mother of pearl bead, ostrich feathers, glass beads, wood. 6" x 13" x 5"
Available via imperfecta, here.

Analyzed #1
Wooden box, acrylic, vintage photographs, shell, found pebbles, cotton thread, felt. 5" x 5" x 7"
Available via imperfecta, here.

Analyzed #2
Wooden box, acrylic, vintage photographs, shells, felt, mirrors, glass bottles, hair, agates, bone, vintage calendar paper, beach pebbles, wax. 5" x 5" x 7"
Available via imperfecta, here.

The sound of lemons
Ink, acrylic, vellum, glass jars, beads, vintage paper, old perfume, snails.
10" x 10.5" x 2"
Available via imperfecta, here.

Bugie Iterative (Iterative Lies)
Ink, acrylic, colored pencils, graphite, vellum, antique lace and crochet samples, vintage paper, documents and stamps. 13" x 10.75" x 1"
[Private Collection]