

daria loi
about
about
Senior technical leader, with a 20+ years industry and academic experience and the goal and passion to mix design strategy with agile user experience (UX) research and innovation to enrich people’s everyday life and humanize technology.
​My current focus is Artificial Intelligence (AI), with an emphasis on smart spaces, sensor technology and aging in place. Prior to Intel, I worked as architect in Italy and Senior Research Fellow at RMIT University in Australia.
​I am committee member and reviewer for several international journals, institutes and conferences and conducted research and presented in 6 continents. In 2018 I was recognized as one of Italy's 50 most inspiring women in tech (InspiringFifty initiative).
Senior technical leader, with a 20+ years industry and academic experience and the goal and passion to mix design strategy with agile user experience (UX) research and innovation to enrich people’s everyday life and humanize technology.
​My current focus is Artificial Intelligence (AI), with an emphasis on smart spaces, sensor technology and aging in place. Prior to Intel, I worked as architect in Italy and Senior Research Fellow at RMIT University in Australia.
​I am committee member and reviewer for several international journals, institutes and conferences and conducted research and presented in 6 continents. In 2018 I was recognized as one of Italy's 50 most inspiring women in tech (InspiringFifty initiative).
abstracting.
Seeing is forgetting the name of the thing one sees.
Paul Valéry
Boredom is a very good tool. Because whenever you play creative games, you normally bring to the situation all your aspirations, assumptions, ambitions – all your stuff. And then you pile it all onto the painting, everything you want it to be. Boredom breaks that. You do the same thing over and over until you’re bored with it. Then all your Illusions, aspirations, just drains off. Now what you see is what you get, in all its threadbare reality, its lack of structure, its lack of meaning.
Robert Irwin

Scratching the surface
Acrylic pain, heavy medium, gel medium, crackling paste, glass spheres, reclaimed acrylic remnants, inks on stretched canvas.
12" x 24" x 3/4"