

daria loi
about
about
Senior technical leader, with a 20+ years industry and academic experience and the goal and passion to mix design strategy with agile user experience (UX) research and innovation to enrich people’s everyday life and humanize technology.
​My current focus is Artificial Intelligence (AI), with an emphasis on smart spaces, sensor technology and aging in place. Prior to Intel, I worked as architect in Italy and Senior Research Fellow at RMIT University in Australia.
​I am committee member and reviewer for several international journals, institutes and conferences and conducted research and presented in 6 continents. In 2018 I was recognized as one of Italy's 50 most inspiring women in tech (InspiringFifty initiative).
Senior technical leader, with a 20+ years industry and academic experience and the goal and passion to mix design strategy with agile user experience (UX) research and innovation to enrich people’s everyday life and humanize technology.
​My current focus is Artificial Intelligence (AI), with an emphasis on smart spaces, sensor technology and aging in place. Prior to Intel, I worked as architect in Italy and Senior Research Fellow at RMIT University in Australia.
​I am committee member and reviewer for several international journals, institutes and conferences and conducted research and presented in 6 continents. In 2018 I was recognized as one of Italy's 50 most inspiring women in tech (InspiringFifty initiative).
migrants.
Isn't content also context? I ask him. Your experiences, your circumstances, the time you live in? Consciousness isn't free-floating; it's enmeshed.
That is true, he says, but you know, I believe that the modern diaspora--that so many of us find ourselves somewhere else, migrants of some kind--global, multicultural, less rooted, less dependent on our immediate history of family or country to shape ourselves--all of that is preparing us for a looser and freer understanding of ourselves as content whose context can change.
Nationalism is on the rise, I say.
He nods. That's a throwback. A fear. A refusal of the future. But the future cannot be refused.
Jeanette Winterson

You should reconsider
Acrylic, mica, human hair, dice, wooden print blocks, vintage photo, glass paint. 12" x 8.5" x 2"

Just.Do.Not.
Vintage doll, gold acrylic, cotton, brass, bones, 1950s mother of pearl bead, ostrich feathers, glass beads, wood. 6" x 13" x 5"

Analyzed #1
Wooden box, acrylic, vintage photographs, shell, found pebbles, cotton thread, felt. 5" x 5" x 7"

Analyzed #2
Wooden box, acrylic, vintage photographs, shells, felt, mirrors, glass bottles, hair, agates, bone, vintage calendar paper, beach pebbles, wax. 5" x 5" x 7"

The sound of lemons
Ink, acrylic, vellum, glass jars, beads, vintage paper, old perfume, snails.
10" x 10.5" x 2"

Bugie Iterative (Iterative Lies)
Ink, acrylic, colored pencils, graphite, vellum, antique lace and crochet samples, vintage paper, documents and stamps. 13" x 10.75" x 1" [SOLD]